Interview: Jacob Kier of Permuted Press

If you love apocalyptic fiction, there’s no way you haven’t heard about (or read novels or anthologies from) Permuted Press by now. Over the last few years, Permuted has published some highly publicized (and well-received) books, including Empire, Day by Day Armageddon and Dying to Live, just to name a few. A stroll I took through the horror section of my local Borders a week ago yielded more than a half-dozen Permuted titles, really impressive considering how humble its beginnings were.

Jacob Kier, owner of Permuted, gave me a few minutes of his time recently to ask him a few things. It’s not every day you get to interview a publisher. Enjoy.

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First of all, thank you for giving me the opportunity to ask you these questions. I’ve interviewed a few authors and an editor (one of yours, actually), but I haven’t had the chance to speak with a publisher until now.

Absolutely, great to have the opportunity to spread the good word about the end of the world.

What is your background? How did you find yourself in publishing?

Permuted started as a completely amateur, hobby effort on my part.  Throughout adulthood I’ve been fascinated by writers, the craft, and the business of getting books from the author to the reader.  In 2004 I learned of print on demand (POD) technology for printing books. Around the same time I was on a zombie kick–brought on primarily by Simon Clark’s brilliant zombie-ish novel Blood Crazy and Brian Keene’s The Rising–and saw the technology as a great opportunity for a novice to dive in.  From there I set up a website and issued a call for zombie stories for The Undead, and things grew from there.  Now Permuted has released over 40 titles with a new release almost every month of the year.

Do you do any fiction writing yourself, or do you prefer to stay strictly on the publishing side of the business?

I’ve dabbled in writing fiction, but nothing significant.  I used to dream of being a writer, but the publishing side has definitely opened up much more for me.

What is your acquisitions process, from receiving a manuscript to the point where it’s ready to publish?

Permuted’s discovery process for new material happens in a few different ways.  The more traditional route where a novel is submitted during our open submission period (this is what happened with Kim Paffenroth’s Dying to Live).  Other times we’ll discover material that has been self-published in print (like Tony Monchinski’s Eden) or online (like Z.A. Recht’s Plague of the Dead).

Once a novel is acquired for publication the author works with one of our talented editors to polish up the manuscript, while a cover artist develops cover art.  After editing the manuscript is sent off to an interior designer who does the layout, and the cover art is used to build a full wraparound cover.  Once those pieces are all in place the book is ready to head to the printer.

How do you decide which editor is right for which project?

I generally take an editor’s personality and previous experience with Permuted into account when considering them for a particular project.  But I’m confident that our editors are skilled enough to work with any author on any material, so often the decision comes down to the editor’s availability.  Once in a while one of our editors will have a particular interest in working with a particular author, and we’ll do our best to put the editor with that author.

Permuted Books tend to have amazing covers. Where do you find the artists?

Thank you!  Almost all of our cover artists have either been discovered online or through samples of their work emailed to us.  Sometimes an author will have a particular artist in mind for the cover of their book, and we’ll try to work with the preferred artist if possible.

How did Swarm Press come about, and what are the differences between it and Permuted?

Swarm was born out of a desire to have a label under which to release non-apocalyptic/non-zombie titles (and thereby not dilute the Permuted brand).  Thus far most of Swarm’s catalog have been superhero fiction including Matthew Wayne Selznick’s Brave Men Run, Mur Lafferty’s Playing For Keeps, and Van Allen Plexico’s Sentinels series.

Do you have any particular type of story you enjoy reading for pleasure or receiving in manuscript form?

Permuted’s output and my personal interests line up for the most part.  I love zombies and apocalyptic works. I’m also a big fan of Lovecraft’s Cthulhu mythos–which is arguably apocalyptic–and Permuted has put out works like Cthulhu Unbound in that arena.  I like anything that is really well done with a good dose of action and great characters.  I’m particularly excited to find novels that put new twists on old themes or combine genres in new and interesting ways.

Are you currently seeking submissions, and if so must they be agented or solicited first?

At this time we aren’t open to submissions.  When we are open to submissions we’ll look at anything that fits our guidelines and we do not require an agent.

Congratulations on the Simon and Schuster deal. How did that come about?

Thank you!  In the summer of 2009 Simon & Schuster was interested in entering into some sort of arrangement with Permuted to reissue J.L. Bourne’s Day by Day Armageddon on a larger scale.  Through the hard work of Permuted’s agent Marc Gerald of The Agency Group the deal grew from our single bestselling title to co-publishing 5 of our most popular books and 2 previously unreleased books.  Thus far J.L. Bourne’s Day by Day Armageddon, Z.A. Recht’s Plague of the Dead, and David Dunwoody’s Empire have been released under the co-publishing deal and at least 4 more titles are forthcoming.

What is your take on the current influx of zombie fiction?

From a fan standpoint I think it’s great.  I love seeing the envelope pushed with new takes on zombies and the zombpocalypse.  But like many others I do sometimes worry that the general public will get burnt out on zombies.  In fact I expect that, at least to some degree, that will happen sooner or later.  The next “it” thing will arrive and the masses will start the slow turn toward whatever that new thing is.  But the hardcore zombie fans will always be there.

We were both at last year’s Horror Realm convention here in Pittsburgh, though I didn’t get to meet you (I’ll make sure I do next year, though). What was that experience like for you? Are you a con veteran, or was it the first time you’d ever been to one?

Actually, Horror Realm 2009 was Permuted’s first official con appearance, though some of our authors have made appearances at various cons over the years.  It was an absolute blast for me personally to get to spend some time hanging out with our authors and meeting fans.  We’ll be back for Horror Realm 2010 in Pittsburgh this September.

Any upcoming projects readers should be on the lookout for?

Our last release was Peter Clines’ stellar debut novel, Ex-Heroes, which pits superheroes versus zombies.  It’s easily in my top 5 favorite Permuted novels!  We’ve also got the long-awaited sequel to J.L. Bourne’s Day by Day Armageddon coming out this summer (pre-order here), and Kim Paffenroth’s zombified take on Dante’s Inferno, Valley of the Dead, has recently become available.  Next will be our reissue of Brian Easton’s IPPY award-winning werewolf novel Autobiography of a Werewolf Hunter (previously titled When the Autumn Moon Is Bright).

Dead Eye: Pennies for the Ferryman by Jim Bernheimer

I am relatively new to this whole “urban fantasy” thing. I’ll come right out and admit that the Jim Butcher novel I’ve owed for several years is still sitting unread on my shelf (as is the Sookie Stackhouse book – hey, there’s only so much time in a day. I’ll get around to it eventually.) and I haven’t read much, if any really, of Laurell K. Hamilton’s work, except for flipping through one of her novels, coming across the word “werepenis,” and giggling uncontrollably.

To say I know nothing about this genre (or sub genre, whatever you’d like to call it) is fairly accurate. The idea of fantasy or horror (or elements of fantasy or horror) in a modern-day setting is quite interesting to me, as I’ve always felt rather put off by long, rambling novels that require maps of make-believe worlds and dictionaries of fake languages or compendiums of various fantasy creature races to make sense of the story.

As it turns out, this genre seems to be made for me. All of the perks of otherworldly adventure with none of the drawbacks? Sign me up.

Jim Bernheimer’s Dead Eye: Pennies for the Ferryman takes a rather well-known ghost story concept (human becomes imbued with the power to speak to the dead and is now plagued by ghostly requests) and adds depth, humor and historical accuracy to make what could have been a trite journey over well-worn territory his own.

As a soldier in Iraq, Mike Ross loses brothers in arms in an IED explosion. He also loses part of his vision. Returning to the States for recuperation, Mike receives a cornea that brings along some new issues to our already troubled protagonist. Mike, having had to cope for most of his life with his father’s abandonment of the family and the stark poverty that came with it, now sees and hears ghosts.

What’s a poor veteran with a hardworking single mother to do? In between taking classes at the local community college, Mike helps out the neighborhood spirits, usually getting the snot kicked out of him in the process and occasionally making a bit of cash on the side.

Pennies (I’m assuming this is the first of a Dead Eye series, both by the novel’s use of a divided title and the flow of the actual story) diverts from the usual humans-and-ghosts story by including both a military and historical aspect that I’ve never seen before, and it works very well. Mike’s Army experiences (and buddies, both living and dead) come in handy numerous times, and Bernheimer makes use of a number of landmarks and historical persons from a region steeped in historical battles (Pennsylvania/Maryland/Virginia, an area both well-known to and rather dear to this native Pittsburgher). There’s even a place in the story for Edgar Allan Poe, which warmed my macabre little heart to read. Bernheimer’s use of Poe’s mysterious death (and explanation of it) are worth reading the book for alone.

The novel isn’t without its issues, however. Whether a stylistic choice or not, I’m unable to tell, but the first-person narrative switches from past to present multiple times, yanking me more than once out of the thick of the story. I spotted a handful of places in which the book also felt rough, where the author’s choices in punctuation or syntax were a bit out of synch with my own as a reader. Distracting, absolutely, but not so terrible that I put the book down.

All in all, Pennies is a fun read that breathes a bit of fresh life into the “tortured human haunted by spirits” story. Did you know ghosts can see past the shiny metallic coating on scratch-off lottery tickets? I didn’t. I could use a sidekick like that, as could most of my coworkers. One of them has a bad eye, too. I wonder if I can convince him to get a cornea transplant.

Shroud Magazine

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“Fiction: Shroud considers horror, dark mystery, dark fantasy and suspense short stories up to 5,000 words (+/-). In addition, we are interested in tightly woven flash fiction, and (in some cases) serialized novellas. Thriller and Suspense tales with a horror aspect are also welcome. We HIGHLY recommend that you buy a SAMPLE ISSUE in order to get a clear idea of our style and tone.

We are especially interested in:

Mythic horror in a real world setting; Classically-themed horror and suspense; Supernatural horror; Creature horror; Dark Fantasy in a contemporary/RW setting; Noir.

We are LESS interested in:

Hard Science Fiction; Sword and Sorcery or anything set in a fantasy world; Stories about serial killers; Vampires ala Rice; First person accounts.

***AGAIN, WE ENCOURAGE YOU TO ORDER A COPY FIRST***

Submission Format

Send us electronic submissions in .RTF format as a file attachment. Your subject line should clearly say “SUBMISSION”. Simultaneous submissions are okay, just let us know that it’s a sim-sub and please let us know if it sells with another publisher. Please do not send us multiple submissions — please only send us one story at a time and do not send your next submission until we give you a reply to the first. Reprints are OK, but discouraged. If you submit a reprint, we will look at it provided it has not been published within twelve months and the author currently bears the copyright.

We do not accept hard copy submissions.

PLEASE include a short (50 words +/-) bio somewhere in your submission (IN the.rtf file) along with all of your contact information. If accepted, this will be the bio published with your story in Shroud.

PLEASE use underlines INSTEAD of italics

Response Time: Averages 2 to 4 months, but stories kept for further consideration by the editors may take additional time.”

Guidelines for book publishing and anthologies also on site. Go to Shroud Publishing.

Fallen: An Anthology of Demonic Horror

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“For this anthology, we would like to see stories involving demons and demonic possession. As this is a horror collection, please don’t send any stories about demons being depressed, falling in love with the local high school outcast, or trying to come to terms with their humanity (face it…they have none! They’re DEMONS!). We’re looking for stories that will mutilate our souls and have us screaming “Unclean! Unclean!” in the shower. We want to be horrified. We want you to make us puke. We want to have a sit down with your parents and ask them how they managed to birth such a twisted little monster.

Stories we are most likely to pick up for this anthology will accomplish this on some level, while still being a great read. If the story reads like a shopping list of torture fantasies, we’re probably going to pass on it.

Publication Date: Late 2010.

Particulars:
We’re looking for stories up to 10,000 words. Unpublished work is preferred, but please query if you have a previously published work you think will fit the theme of this anthology. We promise not to discriminate because your story has been around the block once or twice.

Payment:
Payment is $0.01US (One Cent) per word up to $40.00, and one contributor copy, paid on publication through Paypal. NFP is looking for one time world wide rights to print your story within the context of the anthology, and all rights to the stories will remain with the authors.

Format:
Please send all submissions in RTF format and titled: FALLEN “Your Story Title – Your Name – Word Count”. All stories should have contact info and word count in the top left hand side on the first page. No headers or footers please. Double spaced in a nice, readable font works perfect. Please include a little bio and introduce yourself when you send your story in, because we love to hear from you!”

For more info, go to Northern Frights Publishing.

Damnation Books

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“Damnation Books specializes in dark writing: horror, dark fantasy, thrillers, science fiction and erotica (in dark settings). We officially launch the company in September 2009 with twenty-five titles. After the initial opening, we will release twelve new titles every three months. This means our submissions are ongoing and not for specific time periods. All our books are available in ebook and digital formats. Novels and novellas also are released as trade paperbacks.

We accept unsolicited submissions. Multiple submissions are fine so long as you keep us informed of the book’s status and let us know immediately should it be sold elsewhere. Turnaround time is currently expected at four to six weeks. Please don’t inquire until that length of time has passed.

Word lengths:

  • Short stories  5,000 to 10,000 words
  • Novellas  10,001 to 60,000
  • Novels  60,001 to 120,000

Our pay rate for short stories is three cents per word with a max length of 10,000 words. Novellas and novel length works are royalty based at 40% net. We are unable to pay advances at this time.  We ask for worldwide electronic, worldwide digital and North American print rights for a five year period from the date of release. There will NEVER be any fees charged to authors for being published by us.”

For more info, go to Damnation Books.

Black Static

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“We are always open to submissions of new horror and dark fantasy short stories of up to about 10,000 words in length. Please follow these simple guidelines:

  • Send your manuscript mailed flat or folded no more than once, in standard manuscript format — typed (not handwritten!), double spaced, good margins all round, printed in black ink on one side of white paper, numbered pages, a key word from story title and author’s name on each page — with a covering letter and adequate means of reply (ie a stamped, self-addressed envelope or a working email address if outside the UK).
  • Please include a covering letter but don’t worry too much about it, just introduce yourself and list any relevant credits, things like that. If you’ve never been published before tell us that too — we’ve published many debut stories over the years.
  • Use a paper clip to hold pages together, not staples or any kind of binder. There is no need to put your manuscript in a folder. An ordinary paper envelope is sufficient, don’t use bulky padded envelopes.
  • Don’t send a submission by recorded delivery.
  • Make sure you enclose a stamped, self-addressed envelope with sufficient postage for return of your manuscript, or send a disposable manuscript (clearly marked as such) with a small SAE for reply. Overseas submissions should always be disposable and accompanied by an email address for reply. Any submission that arrives without means of reply won’t be read, just recycled.
  • Never send simultaneous submissions, multiple submissions or reprints.
  • All submissions must be sent in hard copy only.
  • Please don’t continually query receipt or progress. If you haven’t received a response it’s likely that you failed to enclose appropriate means of reply. If you feel you’ve waited too long for a decision regardless, simply send your story elsewhere.

Don’t be offended by a form rejection. It simply means that we’re really busy, with lots of stories to read. But even a form rejection means what it says: send the rejected story somewhere else and try us with something new…and keep on trying! Don’t submit a rejected story to another of our magazines though, as we will already have considered that option.”

For more info, go to Black Static, TTA Press.

The Reviewer as Scattered Woman

I’ve been a very bad reviewer as of late.

There are reasons for this, some acceptable and some not so much. On the legitimate front, I had a difficult semester with two intense lecture/lab combinations that left my daytime schedule rather full. In the evenings, I had work until bedtime. I still do, most nights.

Now that summer is nearly upon us, I have the final draft of my novel to finish sobbing over before I hand it off to my editor, the back half of a first draft of another novel to finish before I start polishing and shopping it around and a short story collection to edit once the author passes it on to me. I’m also participating in a collaborative novel with a group of horror writers that promises to be quite a bit of fun and I’m still plodding away with that Facebook novel idea.

That’s where most of my time should be going, but I’ve got some serious mismanagement issues. For example, two days ago I was supposed to devote my whole day off to working on the novel and getting book reviews written. I was allowing myself a short hour or so to meet a friend for lunch, but things shifted somewhere along the way.

I came home eight hours later with two tattoos. In my defense, they’re awesome. I can’t stop staring at them (at least the one that’s always in my field of vision), which is leading to further review copy reading slowdown. It’s a feedback loop of coolness in my house right now.

In all seriousness, I’m grateful for every review copy that comes my way, and every author who has patiently waited until the end of the semester for me to finish their book has been great. I would really like to be way less wasteful with my time, but until I can rein myself in (I’m already daydreaming about new tattoos and it’s only been two days) I’ll settle for just accountability.

Do I have a review copy of yours that I haven’t done a write up on yet? Friend me over at Goodreads and follow my progresss. Plugging in my email address (jessica dot r dot brown at gmail) should lead you right to me. That way, you can see where you are on my queue and how many pages in I am.

Thanks to everyone that’s been so patient over the last few months. Mea culpa, and be on the lookout for several reviews (and a few interviews, as well) that should be popping up over the next several days.

The Cult – Open Markets May 2010

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Nothing is more frustrating than to see “Closed to Submissions” on market after market when you’ve got the Most Awesome Story Ever to submit. So, to help ease the pain, we’ve gathered a quick-reference list of some Horror markets that are open to submissions right now.

This isn’t an exhaustive list, but hopefully it is a handy one. And some of these got deadlines coming up quick, so if that Most Awesome Story is burning a hole in your pocket, you might want to hurry up.

Magazines – Pro

Black Static http://ttapress.com/blackstatic/guidelines/

Clarksworld Magazine http://clarkesworldmagazine.com/submissions/

Dark Discoveries http://www.darkdiscoveries.com/info.html, until June 1

Pedestal Magazine http://www.thepedestalmagazine.com/submitguidelines.php only bizarro fiction until June 14

Poe Little Thing http://www.nspbooks.com/ until Sept. 20

Shock Totem http://www.shocktotem.com/guidelines.html until June 1

Magazines – Semi-Pro

Aberrant Dreams http://www.aberrantdreams.com/content/content/submission-guidelines

Arkham Tales http://arkhamtales.leucrotapress.com/?page_id=13

Brain Harvest http://www.brainharvestmag.com/submit/

Drabblecast http://web.me.com/normsherman/Site/Submission_Guidelines.html

New Genre http://www.new-genre.com/about/sub.html

Moonlight Tuber http://moonlighttuber.wordpress.com/

Pseudopod http://pseudopod.org/guidelines/

Shimmer http://www.shimmerzine.com/guidelines/fiction-guidelines/

Weird Tales http://weirdtales.net/wordpress/contact/submission-guidelines/ Closed to poetry

Anthologies

Mountain Magic http://www.brianjhatcher.com/mmguidelines.htm Until June 21

Rise of the Necromancers http://www.pillhillpress.com/writers-guidelines.html Until July 31

Tattered Souls 2 http://www.cuttingblock.net/submissions.html#tattered Until Oct 31

Fear of the Dark http://www.horrorbound.com/news.php?readmore=98 Until June 30

Dead Bait 2 http://severedpress.lefora.com/2010/03/23/dead-bait-2-open-for-sumissions/ Until July 1

Episode 12: The Thing from the Grave

Tattered Souls 2 antho

THE MARKET

  • Antho: Tattered Souls 2
  • Publisher: Cutting Block Press
  • Editor(s): Frank J. Hutton
  • Pay Rate: Paying 1.5 ¢ / word, plus one contributor’s copy. For established authors, rates are negotiable
  • Response Time: Final response time: six months or sooner
  • Deadline: October 31st, 2010
  • Description: A second loosely-themed anthology in which authors consider where people’s actions and desires lead them.
  • Submission Guidelines: www.cuttingblock.net

NOTE: Horror author D.L. Snell conducted the following interview to give writers a better idea of what the editors of this specific market are seeking; however, most editors are open to ideas outside of the preferences discussed here, as long as they fit the basic submission guidelines.

THE SCOOP
1) What authors do you enjoy, and why does their writing captivate you?
I’m captivated by distinctive voice and enjoy it when an author with a clue really lets it rip. Last winter, for the first time I cracked the spine on some Joyce Carol Oates. I didn’t ‘like’ all of it, but you won’t mistake her for someone else. And anyone who hasn’t read Kelly Link should give her a try.

2) What are your favorite genres? Which of these genres would you like to see incorporated into submissions to this market?
Well, I’m kinda fond of submarine movies…

‘Horror’ is the most all-encompassing, elastic genre there is. Authors can take it from literary to splatter. From real to outrageous. Anywhere and in any way they want it to go.  That’s what I appreciate best about the genre, so I try not to burden what I read by my own expectations.

3) What settings most intrigue you? Ordinary or exotic locales? Real or fantasy? Past, present, or future?
In a word, authentic. The suspension of disbelief is the whole gig. Convince me and I’ll follow you pretty much wherever you want.

Read the complete interview at D.L. Snell’s Market Scoops!