Return of the Blogging Dead!

Yes, I live again! Quite an accomplishment after having a living creature wrenched from my throbbing innards. (He’s pretty cute for an innards-creature.) So, to celebrate my current not-quite-dead status, I return with a quick smattering of new good-lookin’ markets for you to peruse and enjoy. So, peruse. And enjoy!

 

Pink Narcissus
“We like strong writing, well-crafted worlds, and original voices. If this means excessive use of profanity, sex, or violence, then so be it. However, pushing the envelope of good taste is one thing, grossing out the editors is another. Whether or not we think a piece of writing is edgy or has just gone too far basically boils down to a matter of taste. We do appreciate the beauty in the subtle and the sublime.”

 

 

SUCTION CUP DREAMS: An Octopus Anthology, features around ten to fifteen short fiction stories dealing with the most fascinating and noble of marine lifeforms, the octopus. We welcome all subgenres and forms of fiction, spanning genres and styles, from romance, historical fiction, crime dramas, to sci-fi horror. We are looking for short stories which either showcase or are inspired by the octopus as a central theme. Deadline for submissions is January 31, 2012. No entries will be accepted beyond this deadline.”

 

Masque of the Red Death
“we accept genres of poetry and prose from any genre including horror, fantasy, and general. just take a look at about us and what we don’t like for more specific details of what not to send us in ANY genre. we also accept works that do not have any set genre, so don’t worry if yours does not fit neatly into any box.”

 

 

 

Hyperpulp is a quarterly online magazine aimed at a broad spectrum of genres from fantastic literature. Edited by Alexandre Mandarino, the publication mixes fantasy, science fiction, horror, mystery, war and western, including its various sub-genres and schools, from magical realism to slipstream, from cyberpunk to new weird, but always with a twist: the text must be literary and demonstrate a concern with writing, not only with plot or characters. Anyway: literature as the goal, fantastic literature as the result.

The idea is to harbor stories that exceed expectations, surprise the reader – also regarding the form – and are not afraid to subvert clichés and conduct experimentations. While we’ll accept tales from genres as diverse as horror, SF, fantasy or western, a “traditional” story, within the parameters of its genre, will hardly be accepted – unless it’s spectacularly well written. If this is not the case, just run away from the genre clichés and show a minimal concern with the literary aspects. We’ll give preference to a prose more poetic and surprising. Prose that leads to unknown terrains full of wonders.”

 

Dark River Press
“We are currently reading submissions for Dark River Magazine its Stories and, soon to be launched, Poetry pages. We do not specialize in splatter and gore for the sake of it. Intelligent, thought-provoking horror is favoured over shock…Intelligent, subtle horror and art. Shock, gore, splatter all have their place, but it needs to be done properly. Nothing’s taboo – it just needs to be done well.”

Peep Show Volume 2

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PLEASE READ THE SUBMISSION GUIDELINES THOROUGHLY AS THEY HAVE NOW CHANGED.

We now pay contributors! It’s not very much I’m afraid, but it’s a start.

Short, Scary Tales Publications are now open to submissions for Peep Show, Volume 2. We are looking for well-written, original, erotic horror stories between 5000 – 10000 words please. They can have any theme: vampires, werewolves, zombies, ghosts, serial killers, etc., as long as they are erotic horror tales. The sex content can be mild or extreme but must not contain anything to do with children.

Previously unpublished stories only please.

There is no set deadline. Submissions will close when the book is filled.

We now only accept EMAIL submissions. NO SNAIL MAIL SUBMISSIONS PLEASE. THESE WILL BE RECYCLED UNREAD.

Please email your submission as a Word document (.doc or .rtf formats only) or as a .pdf to: submissions@sstpublications.co.uk.

Payment per story is £5 (GBP) payable upon publication, plus 1 complimentary copy of the Trade Paperback and eBook version.

Artwork samples can be emailed as a .jpg attachment or you can send a link to your online portfolio to: artsubmissions@sstpublications.co.uk.

Thank you very much, and we look forward to receiving your submissions!

(I will try my very best to get back to you as quickly as possible, but please keep in mind that there’s only me to do everything, so please allow me plenty of time to reply. Thank you!)

Granta 117: Horror

“Horror is not a genre, like the mystery or science fiction or the western. It is not a kind of fiction, meant to be confined to the ghetto of a special shelf in libraries or bookstores. Horror is an emotion.” — Douglas Winter, Prime Evil (introduction), 1982.

Horror is, largely, an unavoidable concept. Enough time spent alive and any organism, let alone an individual human being, will undoubtedly run across it in one form or another. In literature, it often manifests itself most overtly as one of many creatures in the boogeyman set — vampires, ghosts, witches, demons, zombies, sparkly emo boys who never age and glower during Biology class…

While it often appears in an ostentatious and highly stylized fashion, it need not always arrive with trumpets blaring to a throng of black-shirted, denim-clad monster aficionados. At the end of this month, premier literary magazine Granta will be bringing horror-as-emotion to readers through the works of Stephen King, Will Self, Don DeLillo, the late Robert Bolaño and others. Launch events for the Autumn 2011 themed issue will begin aptly on Halloween and run throughout November, and a review of the issue will appear here at Dark Markets as the big day of candy and frights approaches.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Author Spotlight: David James Keaton

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David James Keaton has a new e-book that has just been released by Bunyip Books called ZEE BEE & BEE (a.k.a. Propeller Hats For The Dead) – Told from the perspective of the sluggish employee of a “Zombie Bed & Breakfast” tourist trap, this horrific love letter (and middle finger) to the zombie capital of the world, Pittsburgh, Pennsylvania, chronicles the daily workings of a staged zombie assault and rehearsal of an apocalyptic scenario. The question of whether the cast are really attacking hotel guests, who is dead, alive, or just annoying as hell will be answered in a satisfyingly gruesome manner, sparked by an undead love triangle and a tipping point of post-modern, pop-culture references. DarkMarkets caught up with David and throttled some interview questions out of him.

DM: Tell us a little more about your novella, ZEE BEE & BEE (aka Propeller Hats for the Dead.)

DJK: ZEE BEE & BEE is the story of a Bed & Breakfast where the staff are paid to attack the guests as sort of a fun Apocalyptic Honeymoon weekend experience. And in a desperate attempt to get the staff member “zombies” to try harder and make their assault more believable, their boss hides a loaded rifle in the hotel, hoping that the threat of death gets everyone to pick up the pace and take this “game” more seriously. Of course, it then quickly descends into madness and mayhem. There is a twist to the story that people may see coming, which would be handy actually because then they won’t need to re-read all the jokes than hinge on this surprise. This time around, it was extremely tough to keep any revelatory information from the reader while still hinting at the bizarre aspects of their situation, but I’ve never been able to handle foreshadowing correctly, ever since my first undergraduate workshop where I gave away the ending to my story of a toilet that was sort of like a crystal ball and revealed the future. It was called “What Do You Mean The Future? When I Look Into A Toilet All I See Is The Past.” Some fellow students boycotted it, but to be fair it may not have had anything to do with the foreshadowing.

DM: What was it like working with Bunyip Books?

DJK: Working with Bunyip Books was an incredible experience. I was given free reign to re-shape this project for the e-book format, and I’ll be very interested to see where they go in the future. I’m told they are in the process of setting up a website and will be putting out a call for submissions shortly. I was their “canary in a coal mine” to see how things turned out, and they’ve been encouraged by ZEE BEE & BEE’s success. They are in the middle of a possible name change though as, from what I hear, there was some sort of weird internet squatting going on with that name already. Fast little buggers.

But, yeah, they did a great job formatting the book and compiling all the materials I kept throwing at them after every middle-of-the-night brainstorm. I was told it was a bit like “herding cats” because I kept trying to cram more and more features into the book like the Zombie Movie Drinking Game, and the amazing Foreword by author David Tallerman, and even helping me take advantage of the special qualities of the e-book itself with hyperlinks and such. They also helped secure the cover artist D.W. Stripp and keep him happy with a steady supply of promises that I would leave him alone and not email him with suggestions at 4:00 in the morning. 3:00 in the morning was cool though. Just kidding. He wanted to kill me. But the cover turned out great. I wanted something even more whimsical and innocent to draw people in so that they would be kind of surprised and horrified when the story took a turn. And then they all explained to me that this was the definition of “false advertising.” Eh, they say “tomato…”

DM: What’s the best piece of advice you’ve ever heard/given out for new writers?

DJK: The best piece of advice I’ve ever heard would have to be “Don’t use too much soy sauce with your squid or it will activate the neurons and cause it to dance in your bowl.” The best piece of writing advice then would be to switch “soy sauce” with “adverbs,” “squid” with “fiction,” and “dance” with “defecate.” Actually I just made that up because I just saw this sweet squirming squid dinner video online this morning. But it sort of makes sense, doesn’t it? No? Okay. Writing advice. Don’t write and drive, even in the passenger’s seat. Causes nausea and despair.

If you want your published work to get some time in the spotlight, email lorna@darkmarkets.com!

Hellicious Horrors EPublishing

Hellicious Horrors™ Epublishing, the epublishing company devoted solely to horror e-books starring straight, bi, gay, lesbian, transgender, transsexual and transvestite preteens through young adults is looking for fresh, imaginative authors. Anyone submitting must have a finished novel (40,000 words or more).

 

Though we prioritize the young writer/new authors, we encourage ALL to send in submissions and welcome inquiries. Please see our submissions guidelines for more information.

 

http://www.hellicioushorrors.com

 

Author Spotlight: Nathan Robinson

Nathan Robinson lives in Scunthorpe, England with a patient wife/editor and adoring one year old twin boys. So far he’s had six monthly winners published on Spintinglers and five stories published by Panic Press His story, “Top of the Heap” appears on Pseudopod as episode 225, where it was adapted into a free to download story podcast and released to rave reviews with fans demanding a sequel. His cautionary tale, ‘Eat your Heart out Lorena’ was recently included in Frightfest online magazine as past of StoryBook, a new feature from the people at Film Four Fright Fest to showcase young and upcoming horror writers. He can be contacted through Goodreads or via Facebook  where he loves to chat to readers and writers alike.

DM: Tell us a little more about your writing style and the kinds of stories you publish.

NR: I started writing properly last year whilst my wife was pregnant with twins. I felt that with impending fatherhood looming, I should really do what I always wanted to do. Become a writer or never at all. So I jotted a tale down called “The Chicken in Black”, partly based on a miserable three months I spent working in a chicken factory when I was 18. I’d never read/seen anything with Zombie Chickens in before, and they already seem so mindless and mentally challenged that I thought something needed to be done using Zombiefied Chickens. It turn out okay, sort of a parody homage to early Peter Jackson, Return of the Living Dead and The Evil Dead trilogy. I found a website that accepted unsolicited stories called Spinetinglers and sent it in. A month later I found out that I’d won first prize! A cheque for £100 came a month after that. I’d never been so proud. I’ve won five more times on Spinetinglers, and each time I great feedback from the readers and the members of the forum, which is always encouraging. I even welcome criticism, in fact I love it as it shows me where I ‘m going wrong, enabling me to hone my craft even further. The stories I write do vary, I’ve mentioned Zombies, a staple of modern horror, but I try to create my own monsters, human or otherwise. But since dealing with undead poultry, I’ve written about the worlds first vampire, baby eating demons, a paedophile that meets a grisly end. I like making monsters, then I like to destroy them…sometimes.

My thriller, “Top of the Heap” which was adapted into a podcast by Pseudopod,  is completely different from anything else I’ve done as it’s set firmly in the real world based on an article in the paper regarding Mexican drug gangs and how they dispose of their enemies. The scary thing was that it happened again three days after the podcast went live. Big time.

I tend to write about anything that inspires me, usually it’s something that stems from the news, a snippet of conversation I overhear, sometimes a single word can explode into an entire story within seconds. Then it’s there, and the only way I can stop thinking about is to write it down, then the voices tend to calm down a little.

DM: What was it like working with Spinetinglers, Panicpress and Psuedopod?

NR: I love working with publishers and editors alike, it’s just nice to have some professional feedback about a silly little idea I’ve had. The folks at Spinetinglers really got the ball rolling with me, and it makes a difference to be showing my silly little stories to somebody who isn’t a friend or family member, who’ll tell you it’s good even when you’ve got doubts. Sammi Cox over at Panic Press is also a brilliant little gal, so far she’s accepted five stories from me and I can’t see myself stopping anytime soon. The guys at Pseudopod were also brilliant. I’d heard it was really hard to get pieces accepted by them so I was overjoyed when they accepted my second submission to them, and the amount of feedback in terms of editing and ideas I got was overwhelming. A truly professional outfit. I’ve heard that there are a few unscrupulous sharks out there, but so far I’ve had nothing but positive experiences. A few other good guys I’d like to mention are Stephen W. Roberts over at the Dark Fiction Spotlight and Mark Goddard at Snake Bite Horror, they’ve looked after me so far.

DM: What’s the best piece of advice you’ve ever heard/given out for aspiring writers?

NR: The best advice I’ve read was “Murder your darlings” a phrase first coined by Sir Arthur Quiller-Couch (or Fitzgerald or Faulkner or Nabakov or even Stephen King), which pretty much means when your going back over your work, if anything stands out as good and you like it a little too much it’s probably self-indulgent rubbish. Delete. Delete. Delete. Also, you can write too much (as I probably have). Stephen King also said that he likes to put in little details about a characters profession, even if it has nothing to do with the story. A flourish such as this takes you a little further into the characters world.

But the best advice I could give to any aspiring writer, is to start small. A few years before “The Chicken in Black” was accepted I’d send manuscript after manuscript off to publishers, always with no luck. Know your market, and sub, sub, sub. Even if it’s for 1/4 a cent a word or even 4theluv start there and work up, that way a publisher is more likely to consider you if you’ve a few decent credits to your name.

If you want your published work to get some time in the spotlight, email lorna@darkmarkets.com!

Lore

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Lore is a pro rate publisher. Full guidelines are available here: http://www.lore-online.com/index.php/submission-guidelines

FICTION: We will consider short stories that can be classified broadly as belonging to the Horror, Science Fiction or Fantasy genres. Expand our horizons, challenge or fine-tune convention. We love well-done genre blending and bending, too, like John W. Campbell, Jr.’s “Who Goes There?,” H.P. Lovecraft’s “At The Mountains of Madness,” Philip K. Dick’s “The King of the Elves,” and C.S. Lewis’s “Space” trilogy. Other authors whose work we enjoy include Jorge Luis Borges, Harlan Ellison, R.E. Howard, M.R. James, Brian McNaughton, Clifford D. Simak, Clark Ashton Smith, and J.R.R. Tolkien.

Submissions should be between 2,000 and 6,000 words. Send query to info@lore-online.com if shorter or longer than this.

New Community Features

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So, we’ve just made quite a few site updates on darkmarkets.com!  What’s new:

  1. Community member profiles. For an example see Lorna’s profile here: http://darkmarkets.com/members/lorna/
    We only have a few members so chances are your first name is available if you act fast.
  2. Groups. I’ve formed a few to get everyone started.  If anybody wants to start a writing critique group or anything else, please feel free! I’m trying to start a book club, if anybody’s interested.
  3. Forums.  Every group has a separate discussion forum and the latest discussions can be found on the Forums page.
  4. Submissions! We are now accepting “how to” articles and market submissions from our site members.  If you have any knowledge you can pass onto others please submit here: http://darkmarkets.com/submissions/

In the future we hope to feature some of our community members and their work.

To register, click on the “Sign Up” link at the very, very top of our homepage (or just click here).  Once you’ve created an account you can login and access your account from there.

If anyone has any technical issues, please email me.  This is all brand new so I’m sure there will be a bug spotted here and there.

Market Update

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Anthologies

Trust & Treachery
Deadline for submissions: December 15, 2011
Submission guidelines: http://treachery.mlcrawford.com/guidelines/

Chilling Tales 2 *Canadian Authors Only
Deadline for submissions: July 30, 2011
Submission Guidelines: http://www.edgewebsite.com/books/chillingtales2/chillingtales2.html

New Webzines

Burial Day Books
Publishers of supernatural horror.
Submission guidelines: http://www.burialday.com

An Eclectic Tragedy
Submission Guidelines: http://www.anelectrictragedy.com/submissions.html

Rock N’ Roll is Dead Anthology

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Let’s be honest with ourselves; many of us do not expect great things from small press publishers. (Many of us don’t expect great things from big box publishers, but that’s an altogether different rant.) But just because we may not expect great things does not mean there’s not a ton of very talented people working in small press today—especially in Horror, which is such a marginalized genre that the small presses are kinda the last front lines it is allowed to flourish in.

Still, most of the time when I pick up a book or anthology that’s published by a not-as-yet-major-name-in-publishing, I feel a slight lowering of the expectations, a preparation for disappointment, if you will. Maybe I shall encounter good things, I think, but probably not great things.

And that’s why I’m really excited to say this about Blood Bound Books’ Rock n’ Roll is Dead anthology: it’s great!

At first glance, one would think Rock n’ Roll is Dead would be full of stories about musicians and rockers selling their soul to the devil or snorting haunted cocaine and the like. But, it’s actually twenty four Dark Tales Inspired by Music, with the inspirational songs listed right under the author’s byline. One thing that really added to the fun of this anthology was pulling up YouTube and letting the listed song play while I read each story, so instantly there’s a mood and tone for each tale even as you’re just jumping off the first line.

The story subjects range far and wide, and there’s a little in here for everybody. True, some of them are about rockers—like Nate D. Burleigh’s “Trap Set,” a clever piece about a haunted drum kit; and Nathan Crowder’s “The Invitation,” an insightful take on one of rock’s famous suicides. Also, “End of the Line” by G. Winston Hyatt is a cool rock stream-of-consciousness that starts off the anthology on the right foot, and although KV Taylor’s story “Faking it” only has a subconscious rock queen, the whole story is highly cool.

But, then there’s other stories, that come in out of the blue to knock the wind out of you—like the moody Japanese hit man narrative of “Osaka’s Fallen Son” by Natalie L. Sin or “Window to the Soul” by Robert Essig, an eye-opening take on the traditional Vegas serial killer story. The stories also span genres. Rex McGuire’s “The City” is an awesome, gory urban fantasy; Chet Baker’s “La Caza” and Aaron Polson’s “Under the Watchful Eyes of Los Abuelos” are dusty modern Westernish horror; Claire L. Fishback’s “The Replacements” is nifty horror sci fi; and if gothy fiction is your thing, then you’ll love Monique Bos’ “Beth Short and the Carnivals of the Damned.” Really, the only consistent theme that really pulls all these stories together is that they were inspired by a certain song, and that they’re all really well written.

Even the stories that didn’t sing to me, per se, I could recognize as coming from capable writers. And that’s the main thing that impressed me about the anthology; each story contains a narrative that is smooth, tight, and engaging. Many of them were simply a ton of fun to read, like “Untethered” by Morgan Dambergs and “The Rule Breaker” by Chris Samson. Some of them even had vivid narrative voices, and a few of them I might even call “stunning”— “Osaka’s Fallen Son,” “The City,” and Neil Willis’ “End of the Road” are all beautifully written, and G. Winston Hyatt’s “Thermogenic” is easily the most terrifying story in the anthology.

So yes, I am impressed with the editorial decisions made with this anthology and I’m impressed by all the stories themselves in one way or another, which I think makes the whole thing rather kick ass. Quite possibly, Blood Bound Books may do some great things if they keep this up.

Check out Blood Bound Books here. Rock N’ Roll is Dead is available now at Amazon and Barnes & Noble.

 

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