Hellicious Horrors EPublishing

Hellicious Horrors™ Epublishing, the epublishing company devoted solely to horror e-books starring straight, bi, gay, lesbian, transgender, transsexual and transvestite preteens through young adults is looking for fresh, imaginative authors. Anyone submitting must have a finished novel (40,000 words or more).

 

Though we prioritize the young writer/new authors, we encourage ALL to send in submissions and welcome inquiries. Please see our submissions guidelines for more information.

 

http://www.hellicioushorrors.com

 

Author Spotlight: Nathan Robinson

Nathan Robinson lives in Scunthorpe, England with a patient wife/editor and adoring one year old twin boys. So far he’s had six monthly winners published on Spintinglers and five stories published by Panic Press His story, “Top of the Heap” appears on Pseudopod as episode 225, where it was adapted into a free to download story podcast and released to rave reviews with fans demanding a sequel. His cautionary tale, ‘Eat your Heart out Lorena’ was recently included in Frightfest online magazine as past of StoryBook, a new feature from the people at Film Four Fright Fest to showcase young and upcoming horror writers. He can be contacted through Goodreads or via Facebook  where he loves to chat to readers and writers alike.

DM: Tell us a little more about your writing style and the kinds of stories you publish.

NR: I started writing properly last year whilst my wife was pregnant with twins. I felt that with impending fatherhood looming, I should really do what I always wanted to do. Become a writer or never at all. So I jotted a tale down called “The Chicken in Black”, partly based on a miserable three months I spent working in a chicken factory when I was 18. I’d never read/seen anything with Zombie Chickens in before, and they already seem so mindless and mentally challenged that I thought something needed to be done using Zombiefied Chickens. It turn out okay, sort of a parody homage to early Peter Jackson, Return of the Living Dead and The Evil Dead trilogy. I found a website that accepted unsolicited stories called Spinetinglers and sent it in. A month later I found out that I’d won first prize! A cheque for £100 came a month after that. I’d never been so proud. I’ve won five more times on Spinetinglers, and each time I great feedback from the readers and the members of the forum, which is always encouraging. I even welcome criticism, in fact I love it as it shows me where I ‘m going wrong, enabling me to hone my craft even further. The stories I write do vary, I’ve mentioned Zombies, a staple of modern horror, but I try to create my own monsters, human or otherwise. But since dealing with undead poultry, I’ve written about the worlds first vampire, baby eating demons, a paedophile that meets a grisly end. I like making monsters, then I like to destroy them…sometimes.

My thriller, “Top of the Heap” which was adapted into a podcast by Pseudopod,  is completely different from anything else I’ve done as it’s set firmly in the real world based on an article in the paper regarding Mexican drug gangs and how they dispose of their enemies. The scary thing was that it happened again three days after the podcast went live. Big time.

I tend to write about anything that inspires me, usually it’s something that stems from the news, a snippet of conversation I overhear, sometimes a single word can explode into an entire story within seconds. Then it’s there, and the only way I can stop thinking about is to write it down, then the voices tend to calm down a little.

DM: What was it like working with Spinetinglers, Panicpress and Psuedopod?

NR: I love working with publishers and editors alike, it’s just nice to have some professional feedback about a silly little idea I’ve had. The folks at Spinetinglers really got the ball rolling with me, and it makes a difference to be showing my silly little stories to somebody who isn’t a friend or family member, who’ll tell you it’s good even when you’ve got doubts. Sammi Cox over at Panic Press is also a brilliant little gal, so far she’s accepted five stories from me and I can’t see myself stopping anytime soon. The guys at Pseudopod were also brilliant. I’d heard it was really hard to get pieces accepted by them so I was overjoyed when they accepted my second submission to them, and the amount of feedback in terms of editing and ideas I got was overwhelming. A truly professional outfit. I’ve heard that there are a few unscrupulous sharks out there, but so far I’ve had nothing but positive experiences. A few other good guys I’d like to mention are Stephen W. Roberts over at the Dark Fiction Spotlight and Mark Goddard at Snake Bite Horror, they’ve looked after me so far.

DM: What’s the best piece of advice you’ve ever heard/given out for aspiring writers?

NR: The best advice I’ve read was “Murder your darlings” a phrase first coined by Sir Arthur Quiller-Couch (or Fitzgerald or Faulkner or Nabakov or even Stephen King), which pretty much means when your going back over your work, if anything stands out as good and you like it a little too much it’s probably self-indulgent rubbish. Delete. Delete. Delete. Also, you can write too much (as I probably have). Stephen King also said that he likes to put in little details about a characters profession, even if it has nothing to do with the story. A flourish such as this takes you a little further into the characters world.

But the best advice I could give to any aspiring writer, is to start small. A few years before “The Chicken in Black” was accepted I’d send manuscript after manuscript off to publishers, always with no luck. Know your market, and sub, sub, sub. Even if it’s for 1/4 a cent a word or even 4theluv start there and work up, that way a publisher is more likely to consider you if you’ve a few decent credits to your name.

If you want your published work to get some time in the spotlight, email lorna@darkmarkets.com!

Lore

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Lore is a pro rate publisher. Full guidelines are available here: http://www.lore-online.com/index.php/submission-guidelines

FICTION: We will consider short stories that can be classified broadly as belonging to the Horror, Science Fiction or Fantasy genres. Expand our horizons, challenge or fine-tune convention. We love well-done genre blending and bending, too, like John W. Campbell, Jr.’s “Who Goes There?,” H.P. Lovecraft’s “At The Mountains of Madness,” Philip K. Dick’s “The King of the Elves,” and C.S. Lewis’s “Space” trilogy. Other authors whose work we enjoy include Jorge Luis Borges, Harlan Ellison, R.E. Howard, M.R. James, Brian McNaughton, Clifford D. Simak, Clark Ashton Smith, and J.R.R. Tolkien.

Submissions should be between 2,000 and 6,000 words. Send query to info@lore-online.com if shorter or longer than this.

New Community Features

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So, we’ve just made quite a few site updates on darkmarkets.com!  What’s new:

  1. Community member profiles. For an example see Lorna’s profile here: http://darkmarkets.com/members/lorna/
    We only have a few members so chances are your first name is available if you act fast.
  2. Groups. I’ve formed a few to get everyone started.  If anybody wants to start a writing critique group or anything else, please feel free! I’m trying to start a book club, if anybody’s interested.
  3. Forums.  Every group has a separate discussion forum and the latest discussions can be found on the Forums page.
  4. Submissions! We are now accepting “how to” articles and market submissions from our site members.  If you have any knowledge you can pass onto others please submit here: http://darkmarkets.com/submissions/

In the future we hope to feature some of our community members and their work.

To register, click on the “Sign Up” link at the very, very top of our homepage (or just click here).  Once you’ve created an account you can login and access your account from there.

If anyone has any technical issues, please email me.  This is all brand new so I’m sure there will be a bug spotted here and there.

A.J. French’s Satyrs antho

THE MARKET

  • Antho: A.J. French’s Satyrs (Title TBA) 
  • Publisher: Wicked East Press 
  • Editor(s): A.J. French  
  • Pay Rate: One contributor’s copy, $25 for three editor’s pick, one 5 cents a word payment for a well-known, established writer   
  • Response Time: 1 month 
  • Reading Period: Open until filled  
  • Description: Anthology of stories about satyrs (mythic half-goat/half-man companions of Pan and Dionysus) with an emphasis on horror and dark fantasy  
  • Submission Guidelines: sites.google.com/a/wickedeastpress.com

NOTE: Author D.L. Snell conducted the following interview to give writers a better idea of what the editors of this specific market are seeking; however, most editors are open to ideas outside of the preferences discussed here, as long as they fit the basic submission guidelines.

THE SCOOP
1) What authors do you enjoy, and why does their writing captivate you?
I especially enjoy Gary A. Braunbeck, Richard Matheson, Gene O’Neill, William F. Nolan, Harlan Ellison, Dostoevsky, Borges, Umberto Eco, Jeff Vandermeer, Tanith Lee, T.E.D. Klein, Tim Willocks, Brian McNaughton, and Gene Wolfe, among many others. I like writers who have a command over their prose and write with authority, and who are not afraid to try something original and daring.

2) What are your favorite genres? Which genres would you like to see incorporated into submissions to this market?
My favorite genres are horror and weird tale, although I also like weird fantasy and some high fantasy. I would like to see some erotic horror, humourous horror (subtle humor), dark fantasy, and weird tale in this anthology.

3) What settings most intrigue you? Ordinary or exotic locales? Real or fantasy? Past, present, or future?
Settings are not as important to me as the story. Built-world, real world, past, present, or future, all of it goes.

Read the full interview at D.L. Snell’s Market Scoops!

Market Update

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Anthologies

Trust & Treachery
Deadline for submissions: December 15, 2011
Submission guidelines: http://treachery.mlcrawford.com/guidelines/

Chilling Tales 2 *Canadian Authors Only
Deadline for submissions: July 30, 2011
Submission Guidelines: http://www.edgewebsite.com/books/chillingtales2/chillingtales2.html

New Webzines

Burial Day Books
Publishers of supernatural horror.
Submission guidelines: http://www.burialday.com

An Eclectic Tragedy
Submission Guidelines: http://www.anelectrictragedy.com/submissions.html

Rock N’ Roll is Dead Anthology

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Let’s be honest with ourselves; many of us do not expect great things from small press publishers. (Many of us don’t expect great things from big box publishers, but that’s an altogether different rant.) But just because we may not expect great things does not mean there’s not a ton of very talented people working in small press today—especially in Horror, which is such a marginalized genre that the small presses are kinda the last front lines it is allowed to flourish in.

Still, most of the time when I pick up a book or anthology that’s published by a not-as-yet-major-name-in-publishing, I feel a slight lowering of the expectations, a preparation for disappointment, if you will. Maybe I shall encounter good things, I think, but probably not great things.

And that’s why I’m really excited to say this about Blood Bound Books’ Rock n’ Roll is Dead anthology: it’s great!

At first glance, one would think Rock n’ Roll is Dead would be full of stories about musicians and rockers selling their soul to the devil or snorting haunted cocaine and the like. But, it’s actually twenty four Dark Tales Inspired by Music, with the inspirational songs listed right under the author’s byline. One thing that really added to the fun of this anthology was pulling up YouTube and letting the listed song play while I read each story, so instantly there’s a mood and tone for each tale even as you’re just jumping off the first line.

The story subjects range far and wide, and there’s a little in here for everybody. True, some of them are about rockers—like Nate D. Burleigh’s “Trap Set,” a clever piece about a haunted drum kit; and Nathan Crowder’s “The Invitation,” an insightful take on one of rock’s famous suicides. Also, “End of the Line” by G. Winston Hyatt is a cool rock stream-of-consciousness that starts off the anthology on the right foot, and although KV Taylor’s story “Faking it” only has a subconscious rock queen, the whole story is highly cool.

But, then there’s other stories, that come in out of the blue to knock the wind out of you—like the moody Japanese hit man narrative of “Osaka’s Fallen Son” by Natalie L. Sin or “Window to the Soul” by Robert Essig, an eye-opening take on the traditional Vegas serial killer story. The stories also span genres. Rex McGuire’s “The City” is an awesome, gory urban fantasy; Chet Baker’s “La Caza” and Aaron Polson’s “Under the Watchful Eyes of Los Abuelos” are dusty modern Westernish horror; Claire L. Fishback’s “The Replacements” is nifty horror sci fi; and if gothy fiction is your thing, then you’ll love Monique Bos’ “Beth Short and the Carnivals of the Damned.” Really, the only consistent theme that really pulls all these stories together is that they were inspired by a certain song, and that they’re all really well written.

Even the stories that didn’t sing to me, per se, I could recognize as coming from capable writers. And that’s the main thing that impressed me about the anthology; each story contains a narrative that is smooth, tight, and engaging. Many of them were simply a ton of fun to read, like “Untethered” by Morgan Dambergs and “The Rule Breaker” by Chris Samson. Some of them even had vivid narrative voices, and a few of them I might even call “stunning”— “Osaka’s Fallen Son,” “The City,” and Neil Willis’ “End of the Road” are all beautifully written, and G. Winston Hyatt’s “Thermogenic” is easily the most terrifying story in the anthology.

So yes, I am impressed with the editorial decisions made with this anthology and I’m impressed by all the stories themselves in one way or another, which I think makes the whole thing rather kick ass. Quite possibly, Blood Bound Books may do some great things if they keep this up.

Check out Blood Bound Books here. Rock N’ Roll is Dead is available now at Amazon and Barnes & Noble.

Anotherealm

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Website: http://anotherealm.com/

Guideline Highlights:

“Full length Stories:
The stories may be science fiction, fantasy or horror only. Our maximum word limit is 5,000 words. Submissions are accepted year round. However there is a “Reading Period”, see below for more information. Payment for First Worldwide Electronic Rights will be US $25. All additional rights stay with the author.
The Reading Period Explained: (Full length stories only)
The reading period is when we pick the stories that will be published over the next year. We also publish a list of the stories and when they will be featured. The only way we can do this is to pick a whole years worth of stories at once. This is why we have a reading period.

So that writers are able to know how long their story will be in limbo is why we publish our reading period. Nothing is worse than waiting endlessly to find out if someone likes your story or not. Been there, done that.

All stories received by October 31 2007 will be eligible for the 2008 issue. Our reading period for the 2007 issue will end on November 30th 2007. At this time we will pick the stories for 2008 and publish our lineup.

Stories received after November 30th 2007 will be eligible for the 2009 issue. Anotherealm’s submission period is year round. Writers may submit their stories at any time. Starting this year, though, we won’t evaluate any story we receive after October 1 until the following year. (We may read it, but we won’t judge it against the other submissions until then.)

(Yes I know the dates are wrong. Just substitute your year for those years)

How to Submit: (Full Length Stories) 

  • Please send in an e-mail in “plain text” format.
  • Do not center titles.
  • For italics, *****words you wish italicised***.
  • Please include your name, both real and as you wish it published.
  • Your address, both email and physical, so we know where to send the check and how to contact you.
  • Please include a word count.
  • Anotherealm accepts no attachments –no matter the type– for fear of viruses. Set your stories to PLAIN TEXT and PASTE them in an e-mail for submission
  • Anotherealm no longer accepts ANY hardcopy submissions.
  • Science Fiction, Fantasy and Horror only please.
  • We get first worldwide electronic rights and anthology rights. All other rights revert to the author upon publication.
Full Length Stories (Up to 5,000 words) are handled by Gary Markette. Please send electronic submissions only, to editor@anotherealm.com.”

Also responsible for the annual Predators & Editors awards. These guys have been in business for-ev-ar! Full Submission FAQ here.

Mixer Publishing

“Mixer Horror likes stories that play with the typical conventions and motifs of horror, while still using the power of the genre to scare the reader in ways that interrogate our knowledge of ourselves and the social constructions that supposedly keep us safe.

Mixer Horror, in general, is not big on supernatural horror–please don’t send us stories of ghosts and ghoulies unless satire or parody are involved (for example, satires of organized religion). Mixer tends to like environments of realistic horror–urban, suburban, or rural settings–psychological and ontological horror. Think David Lynch or David Cronenberg, Edgar Allan Poe, Brian Evenson, J. G. Ballard, Paul Bowles. Mixer Horror is more about the subjective–especially solipsistic–experience of the world, not traditional horror’s ideological (and intellectual) prostration to Good and Evil. Mixer Horror is more interested in the various modes of sociopathology, not spiritual or metaphysical explanations of evil.

Mixer also likes horror stories that mix in elements from other styles or genres: comedy, black comedy, satire, parody, farce, surrealism, noir, sc-fi, etc. “

Writers’ Guidelines here for a brand-spankin’ new market!

Heinous by Jonathan Moon

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I’ll admit; the first reason I wanted to read Jonathan Moon’s novel, Heinous, was because of all the cover blurbs. I’d heard about the book through various channels and I kept seeing words like “disturbing” and “mesmerizing” associated with it—along with more than one reference to one’s inner child getting brutally pummeled by the story. So, I was like, damn, maybe I should read this one. And yes; now my inner child does feel like it’s been beaten “by a shovel.” Thank you.

Heinous follows the hopeless misadventures of Gavin Wagner, your everyday Boy Next Door, who happens to pick up an ancient, parasitic evil one day in the Idahoan woods. Supposedly from “the place people in Hell have nightmares about,” the evil puppets poor Gavin’s body and makes him viciously murder just about everybody, all while feeding Gavin a steady stream of pain and murder hallucinations more vivid than cable. Gavin’s completely at the whim of the evil, which he nicknames Heinous, and can barely function outside of the evil pulling his strings.

And he murders just about everybody. From his small, geekish best friend to his first brief girlfriend, everybody gets it thanks to Heinous’ unrestrained bloodlust. The entity within Gavin feeds off of pain and terror, so even when nobody’s immediately getting cut up into little bitty pieces, Heinous forces scenes of mutilation and death into Gavin’s eyes until the poor kid is almost as monstrous as the entity itself. And the gore just never, ever lets up.

Written in a blogger-style first person and heavy on the exposition, the book is interspersed with dream sequences so thick with gore and carnage they would make a Cenobite blush. The gore is really where this book shines. Moon has cooked up some deeply disturbing tableaus of otherworldly torture, each more creative than the next, depicted in lovingly brutal detail. I’d have liked to see the origins of the entity Heinous explored more—there’s a brief and tantalizing mention of the parasite’s otherworldly nature, mixing in a hint of Lovecraftian horror in with the good ol’ fashioned Barkerian slaughter, but sadly, that doesn’t get very far before more gore juts in, giggling with gut-smeared barbed wire. Still, if you like vast, unrelenting illustrations of gore (hell, I’m running out of words to describe gore, there’s so much gore in this book) then you will love Jonathan Moon’s book.

Heinous is available now through Library of of the Living Dead Press and Amazon.

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